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The series breaks singles’ boundaries by having them go beyond their comfort zones and kiss a total stranger, without introduction, to find out if one kiss can lead to everlasting love.
Grousing about a deficiency of bikini action around the pool, he says, "It's too much talking.
It's like a Merchant Ivory movie." Stick with it, and "Un REAL" zeroes in like a laser on the way these shows reduce everyone to stereotypes, and how the participants play along -- through cajoling and pressure, but also a warped desire for their 15 minutes of fame. They coax an African-American student activist to participate (or "blacktivist," as Quinn calls her), dismissing her concern that "Black girls only last a couple weeks on those shows." And naturally, they seek to create friction between her and a Southern contestant, who is prodded to wear a Confederate flag bikini.
At times, "Un REAL" feels like it's trying a little too hard.
In many respects, the first few episodes of season two feel like a reprise of the first.
There's cynical backstage banter, ruthlessness by Quinn and frequent clashes with her protégé, Rachel (Shari Appleby), who still exhibits pangs of conscience regarding just how far she'll go to succeed.
The network suits are as craven as ever ("Are you serious?
" one asks, when he sees the proposed black star), and the show's creator (Craig Bierko) just as nutty.
Yet if the introductory year represented a shot across the bow at that genre, season two could become a real punch to the gut, softened only by the fact that this Lifetime drama garnered more media buzz than Nielsen ratings.
In season one, Quinn (Constance Zimmer), the acerbic producer of the fictional dating show within the show, "Everlasting," laughed off the fact that minorities seldom last long.